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Peter Pan (Bantam Classic), by J.M. Barrie
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Considered a masterpiece since its first appearance on stage in 1904, Peter Pan is J. M. Barrie’s most famous work and arguably the greatest of all children’s stories. While it is a wonderful fantasy for the young, Peter Pan, particularly in the novel form Barrie published in 1911, says something important to all of us. Here “the boy who wouldn’t grow up” and his adventures with Wendy and the lost boys in the Neverland evoke a deep emotional response as they give form to our feelings about parents, boys and girls, the unknown, freedom, and responsibility. Humorous, satiric, filled with suspenseful cliff-hangers and bittersweet truths, Peter Pan works an indisputable magic on readers of all ages, making it a true classic of imaginative literature.
- Sales Rank: #1154868 in Books
- Brand: Barrie, J. M.
- Published on: 1985-03-01
- Released on: 1985-03-01
- Original language: English
- Number of items: 1
- Dimensions: 7.10" h x .40" w x 4.20" l, .20 pounds
- Binding: Mass Market Paperback
- 176 pages
Amazon.com Review
"All children, except one, grow up." Thus begins a great classic of children's literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie's original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as "Mrs. Darling first heard of Peter Pan when she was tidying up her children's minds," and is peppered with deliberately obscure vocabulary including "embonpoint," "quietus," and "pluperfect." Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children's books, for Peter Pan has a suppleness, lightness, and intelligence that are "literary" in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as "youth... joy... a little bird that has broken out of the egg," and the author interjects: "This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form." A book for adult readers-aloud to revel in--and it just might teach young listeners to fly. (Ages 5 and older) --Richard Farr
From School Library Journal
Grade 4-7-J. M. Barrie's classic tale comes to life in this radio play adaptation. Young listeners will once again be thrilled with the antics of Peter, Wendy, Michael, the Lost Boy, Captain Hook, and Tinkerbell. The voices of the children and adult actors are well suited to the story. There are a few places where the dialogue is a little fuzzy, but overall the audio quality is very clear. Following the original tale closely, this radio play is a refreshing change from traditional books on tape and will provide pleasurable listening for young readers. Teachers may want to use it as anexample for expressive reading and acting techniques. A unique selection to add to audio collections.
Ginny Harrell, William M. McGarrah Elementary School, Morrow, GA
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
An unusually large, attractive, unabridged edition with dozens of full-page illustrations and smaller vignettes. In style, Gustafson's lusty oil paintings of the pirates are akin to N. C. Wyeth's, though they have more the flavor of compelling dramatic play than real menace. His slim, round-faced, rosy children and cozy interiors are closer to Wyeth's gifted student, Jessie Wilcox Smith, while the ethereal yet mischievous fairy folk recall Rackham. This is not to suggest that the result is merely derivative, in the manner of Michael Hague; Gustafson is a talented craftsman who skillfully melds his references to past greats to create an appropriately traditional style that has enough of a contemporary aura (especially in the characterizations) for broad popular appeal. An endpaper map of ``The Neverland'' and meticulous renditions of intriguing details add to the drama and fun. A perfect gift for a family that reads aloud. (Fiction. 5+) -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
11 of 12 people found the following review helpful.
A Neat Package
By theboombody
Hmm...., Peter and Wendy is obviously a five star book all the way, but what about Peter Pan in Kensington Gardens? Well, it's not really a complete book, first off. It's just a large section taken out of an earlier Barrie book titled The Little White Bird. So its very fragmented. Second, since it's more of a springboard the for ideas that formed the Peter Pan play than anything else, it repeats quite a bit of what we have already seen multiple times in many of the famous Peter Pan adaptations.
Even so, I did get a lot of enjoyment out of Peter Pan in Kensington Gardens. Aside from the first chapter (which isn't much fun if you haven't been to the gardens), I was quite entertained. Barrie's theory that people are born as birds and then turn into humans afterward is pretty wild, and I loved Peter's interaction with the girl who was captured by the fairies. Peter thought he played games the same way all real boys did but just embarassed the heck out of himself, throwing the hula-hoops or whatever those things were in the water. Poor guy.
So all in all, you have a great introduction followed by a good book fragment and topped off with an all-time classic. Not a bad purchase at all.
0 of 1 people found the following review helpful.
Why Classics are Classics
By theboombody
As one reads Peter Pan, one doesn't have to do much thinking to figure out why its story has achieved such worldwide acclaim. I had ridiculously high expectations of Mr. Barrie's imagination before purchasing this title, and he has fulfilled them completely.
Many parts of the story are nothing but nonsense, which I enjoy above all else. Mr. Darling, the head of the Darling family, commands his children to take their medicine after he hides the medicine he's supposed to take. He brags about how noble he is for drinking a medicine that tastes so much worse that theirs. Unfortunately for him, during his bragging his medicine is found, and the whole family agrees to take their respective medicines on the count of three. Sure enough, when three is reached, everyone except Mr. Darling takes their medicine, and Mr. Darling once again tries to hide his.
This kind of scenario is what I'd call Mark Twain nonsense. You can imagine it being true, even though it's quite high up on the ridiculous scale. Then there's what I would classify as over-the-top nonsense - AKA bull - which there is plenty of in Barrie's original story of Peter Pan. Going back to Mr. Darling, if we take a look at how he's doing near the end of the book, we find him going to and from work in a dog kennel. Ah, yes...grown men in pet taxis. What could be more fun than the "he-didn't-even-try-to-make-this-belivable" silliness of such a scene? To be honest, I don't know if I'd even read books if they all left out fun stuff like this.
Other silly parts of the book involve Wendy growing up a day quicker than most girls; the narrator claiming he hates Mrs. Darling only to call her his favorite character a few sentences later; the lost boys asking Wendy to change the characters her story just two sentences into it; the narrator using the phrase "woke into life" because Peter likes the word "woke" more than "wakened;" and my favorite, Captain Hook using a stale cake as a missle and then falling over it in the dark.
I believe the novel version of Peter Pan was written after the author had already established Peter Pan as a successful play. That may explain a lot about the colorful narration, which takes many, many literary liberties. We see everything from blatant narrator interference with the characters in the story to the shameless attempt at informing the audience that the narrator only chooses to make the events in the story happen a certain way so certain characters in the book won't be disappointed. Perhaps without these wacky (and maybe even insane) traits in the narration, there'd be no reason to read the book, since it would be no different from the play. After reading the Peter Pan novel though, I'd have to say it almost seems criminal to watch an adaptation of Peter Pan without any wacky narration.
Contrary to most adaptations of Peter Pan, the individual lost boys (of where there are six I believe) are actually more developed as characters than John or Michael Darling. Heck, at the end of the book they actually end up moving out of the Neverland to live with the Darlings and grow up to busy themselves in interesting professions.
I may not like the actual land of Neverland as much as I like the land of Oz, but Barrie's narration is unbeatable in my opinion. He could probably make a Jeopardy contestant's Friday night schedule sound exciting.
I believe Barrie has written another Peter Pan book as well, a prequel of sorts entitled "Peter Pan in Kensington Gardens." It should be interesting, particuarly if it addresses what is contained in the dark dreams that haunt Peter throughout this book. Freud would have a field day with such dreams and the whole mother issue.
The only thing I expected to see in this book that I didn't see was "happy thoughts." That must have been a creation of Disney.
0 of 0 people found the following review helpful.
They loved it. It's a good quality great little Golden ...
By Julie M. Kempenich
I purchased this book for my grandchildren to get ready for Pirate Cruise in FL. They loved it. It's a good quality great little Golden Book.
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